366 Concept - Mid Century Icons

An openwork back that lets the light through.

The Stefan Lounge Chair carries a graphic designer's sense of composition into solid oak — arms that seem bent rather than built. The Homa 104 answers it — upright, precise, nothing on it that doesn't need to be there. Both finished in Bouclé Creme.

Shop Stefan collection at -20% until July 28: https://366concept.com/collections/stefan-armchairs. Homa 104 series at -15%, with extra 5% off sets of 4+ chairs: https://366concept.com/collections/homa-104-series.

Ten pairs of hands, before an armchair leaves the room.

Every 366 Concept piece is made to order in our workshops in Poland, one at a time, frame to fabric. The wood is solid ash, oak or beech, aged for seven years and dried to 8–10% moisture before anyone cuts into it. Water-based stains, solvent-free glue, brass fittings machined rather than stamped. Our craftsmen checks every joint by hand, and every finish gets a look in daylight before it's wrapped.

The wood comes from somewhere, so we give some back. With the Forest Forever Foundation (Las Na Zawsze) we buy mature forests at risk of felling and leave them standing — in 2022, 4.5 hectares of century-old forest at Wytrzyszczka. Not saplings planted to offset, but old trees kept in the ground.

Oak, three drawers, and everything you reach for in a day.

The Long Sideboard 1050 goes back to the Sirius range, first made in 1962 and reissued by 366 Concept. Long and low, sliding doors over two shelves, turned legs finished in brass. It holds books, ceramics, the small things a room gathers — now in two wood finishes, Light Oak and Warm Oak, 30% through 15 July.

Shop now: https://366concept.com/products/long-sideboard-1050

We're looking for a Content Creator. Someone to tell the story of 366 Concept – the mid-century pieces we bring back into everyday life, Józef Chierowski's 366 Armchair among them, and the new forms we shape from that same heritage.

You'd shape the day-to-day across our channels: Instagram, Facebook, LinkedIn, the newsletter, the blog. Concept, copy, shoot, edit, publish. Mood and product photography in the Warsaw showroom, short video and Reels, and realistic visualisations of our furniture set in inspiring interiors.

Hybrid, from our showroom on Nowogrodzka in central Warsaw. A real hand in a brand finding its audience across Europe. Details and application – link in bio.

The kettle's just stopped. Light coming in low, the kind that doesn't last long. Someone's already chosen their seat.

The 200-190 Bar Stool S/65 in Creme Bouclé – solid ash, 100% made in Europe, a counter-height continuation of Rajmund Hałas's 1960s series.

You almost miss it. Barbara Kwiatkowska is painting at an easel — it's a scene from Rybkowski's 1959 “Mr. Anatol Seeks a Million” – and somewhere behind her there's an RM58 armchair. It's not the point of the shot, it's furniture. It's doing what furniture does.

Roman Modzelewski designed the RM58 around a simple idea: one material, one curve, no seams. The Victoria & Albert Museum eventually bought one. The National Museum in Warsaw has two. But here, in 1959, it's just a chair in a film that nobody expected to become a design history footnote.

🎬 Mr. Anatol Seeks a Million, dir. Jan Rybkowski, 1959 © ZF RYTM

Edmund Homa designed GFM-104 chair in 1966. Now, decades later, it returns as a proof that good design never goes out of style. Solid wood, precision in detail, calm proportions. A true sculpture in wood.