Brand Design Studio based in Riga
17/06/2026
Clinical precision meets an organic approach.
Brand redesign for – local premium skincare brand. We developed a comprehensive packaging design system, communication guidelines and overall brand design system, balancing science with a natural approach.
Design
Photography
15/06/2026
We are happy to announce that The Living Glove book cover has received silver award!
This marks our third award for this project!! Huge thank you to everyone involved, this recognition means a lot 🤍
Author
Design .klaucs
Cliché for embossing , Rīgas Zīmogu fabrika
Project lead
Photography .klaucs , Gunārs Janaitis
Production
Working on this project together with and has been a deeply personal journey for us that began last summer. Kuldīga is a place we hold dear, a part of our team calls it home and spends their daily lives there. We spent time traveling through local communities and organizations, meeting all the incredible people of Kuldīga Municipality along the way. So this is our true perspective on a place we care about.
Thank you to everyone involved 🌞
22/05/2026
Yesterday we took home two awards!! Monk Echo guitar pedal in Product design (our first ever win in the category) and The Living Glove book design in Communication design. The man behind them both .klaucs
A huuuge thank you to our clients .works and for the trust. These wins belong to the collaborative spirit we share🤍
30/03/2026
Our dear friend and co-founder has held a solo exhibition “Chestnut and the Universe” at , and we were happy to help with the visual communication, as well as the overall concept alongside Toms Kampars.
The concept of the exhibition is rooted in the metaphor of a chestnut, where a spiky outer shell protects a sacred inner core. This is not a linear retrospective, but rather a philosophically structured journey through the artist’s inner evolution. The perimeter of the space features more commercial work, while at the very center sits “The 10 Commandments,” anchoring the exhibition in a quiet, spiritual core.
Exhibition design Toms Kampars
Visual communication , Līva Indriķe
Photography
SUNS FUNS episode 05 is out! 🐶📚
This time, he explores the joy of reading and the wonderful world full of fairy-tale characters that only children’s imagination can bring to life.
Link in bio
gora
This episode was created with the support of the .lv .lv and
03/03/2026
Introducing new visual identity for Latvian Academy of Culture.
Design by .klaucs
Strategy
And thanks to for adapting LKA New Edge typeface!
We also have a new web – you can read more about this project on there!
02/02/2026
We are once again happy to continue to explore and reveal the creative work of Jette Užāne.
The design of book “The Living Mitten” indirectly integrates Jette’s joy of life, love for nature, as well as her inner strength and perseverance. It also serves as a logical continuation of the exhibition’s (Cēsis Museum, 2024) spatial experience, using similar graphic techniques to tell the story of Jette, such as typeface created on the basis of handwriting from her diary.
The mittens on the cover of the book were “drawn” using only light and shadow. As Jette said, “drawing with white on white,” showing that the material itself is a self-sufficient tool.
The book contains essays by curator Elīna Apsīte, photography, and entries from Jette’s own diary, revealing her worldview from multiple perspectives.
Author
Design .klaucs
Cliché for embossing
Photography .klaucs , Alens Opoļskis, collection of the association “Cimdu ceļš”
Production “Jelgavas Tipogrāfija”
Video fragment from “Baltais, pelēkais, melnais”, I.Brils, 1991
02/02/2026
We are once again happy to continue to explore and reveal the creative work of Jette Užāne.
The design of book “The Living Mitten” indirectly integrates Jette’s joy of life, love for nature, as well as her inner strength and perseverance. It also serves as a logical continuation of the exhibition’s (Cēsis Museum, 2024) spatial experience, using similar graphic techniques to tell the story of Jette, such as typeface created on the basis of handwriting from her diary.
The mittens on the cover of the book were “drawn” using only light and shadow. As Jette said, “drawing with white on white,” showing that the material itself is a self-sufficient tool.
The book contains essays by curator Elīna Apsīte, photography, and entries from Jette’s own diary, revealing her worldview from multiple perspectives.
Author
Design .klaucs
Cliché for embossing
Photography .klaucs , Alens Opoļskis, collection of the association “Cimdu ceļš”
Production “Jelgavas Tipogrāfija”
Video fragment from “Baltais, pelēkais, melnais”, I.Brils (1991)
23/01/2026
Some wobbly letters and funky colors for new Kalve coffee packaging 🍭