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JS . THONET A personal interpretation by Jil Sander ft. S 64 P Nordic

Timeless design, quality materials and precise craftsmanship 🤍



.THONET

Three floors. 3,000 m² of light, nature and outdoor living.
The Glasshouse is where architecture meets the outdoors, and where the full collection finds its most natural home.
A space made for inspiration.

featuring Styletto Table & Chair (first image)
Conix Table, Folia Chair (Second image)
Mozaix Lounge set (Forth image)

📍Wommelgem, Belgium

Three floors. 3,000 m² of light, nature and outdoor living.
The Glasshouse is where architecture meets the outdoors, and where the full collection finds its most natural home.
A space made for inspiration.

📍Wommelgem, Belgium

Structure and warmth, in perfect balance.

The Cordiz Chair pairs a sleek frame with solid teak, a refined contrast that feels both effortless and considered.
At the back, fine cords form geometric lines that give Cordiz its open, dynamic character. Designed for every day.

Nestled amid Revelstoke’s peaks, the home mirrors its wild surroundings.
Cool tones in grey and black warm up with teak and cognac, crafting a tranquil retreat.


Project by

Meet the new Regaliz Table, Designed by Kris Van Puyvelde

Alongside its signature oval leg, the collection now welcomes a round leg variant - a subtle shift that opens up new ways to compose your outdoor space.

Same considered finish, a fresh perspective.

Introducing Bonbon and Atlas by Barber Osgerby from

Bonbon introduces a denser weave and layered colour compositions, where tone-on-tone yarns create depth and vibrancy. The palette — Berry, Lemon, Damson, Licorice, Rhubarb, Toffee — brings a sense of energy while maintaining a refined material clarity.

Atlas reveals the structure of the weave, where warp and weft interact to create a surface with depth and subtle shimmer. Inspired by shifting landscapes, the rug moves gently with light — a tactile topography shaped by material and technique.

Photo:
Styling:

Kasthall and Barber Osgerby come together in a collaboration shaped from within the loom.

Working closely with Kasthall’s own mill in Sweden, the designers immersed themselves in the rhythm, pace and constraints of industrial weaving — allowing process, material and technique to define the outcome rather than imposing a predefined aesthetic. The result is a collection where structure becomes expression — where the logic of making is visible in every surface.