Minton-Spidell

The French Bowfront chest holds its own as a console — carved doors, a scrolled apron, and shown here in a warm hand-rubbed oak that says there is a story behind this piece.

Accessorize minimally and let the cabinet say the rest.

Height without heaviness — that's the trick of a good four-poster.

Our Judith Bed comes in king or queen and finished to suite your interiors.

Country French, without a single wasted flourish.

The French Canadian Lounge Chair pairs turned wood legs, spool-carved stretchers, and a relaxed, high-backed frame with a matching ottoman — kick your feet up, or don't, the silhouette works either way.

Comfort with a pedigree.

Some pieces don't decorate a room. They anchor its entire point of view.

Meet our Medici Sofa — rope-twist arms, carved paw feet, and a hand-applied 22k gold leaf finish that catches light from every angle. It's neoclassical grandeur built for the present: a piece that can sit alone as the room's statement or ground a much larger scheme without ever competing for attention.

No two ever leave the workroom quite alike.

The Barrelback Bergère is a study in the classics — a curved, enveloping back, a hand-carved and painted frame, fluted legs, and carved crest detailing at top and skirt. But the frame is really just the starting point. Fabric, finish, and upholstery details are all yours to combine, so the same silhouette can read anywhere from weathered French antique to something sharp and current. Here: soft camel velvet, a striped seat, a moiré lumbar pillow.

The shape is timeless. The rest is entirely up to you.

Why stop at one when a pair does so much more?

The Wine Press Table takes its cue from the old screw-press — that thick, coiled turning at the center reads exactly like the mechanism it's named for. Grouped as a pair at two different heights, they nest and overlap into something with real dimension: rich wood, sculptural bases, and a layered silhouette that a single table could never pull off.

One is handsome. Two is a moment.

Two pillows, stacked and tailored into something you can actually sit on.

The Stacked Pillow Ottoman is a bit of trompe l'oeil — what looks like a pair of soft cushions tossed one atop the other is a fully structured piece, finished with a damask top, chenille sides, and a beaded tassel at each corner. Feminine, plush, and a little unexpected.
Pull it up to a vanity, tuck it into a dressing room, or let it play accent wherever a room needs a soft landing.

Two textures, one table.

This Carved Coffee Table customization sets a smooth, warm natural wood top against a base worked entirely by hand: a continuous band of foliate carving wrapping the apron and running down every leg, finished in a soft limed white that settles into the recesses and catches the light along the edges.

The Anders Dining arm and side chairs by Minton-Spidell — oval backs hand-painted in a botanical chinoiserie, seats in sage green velvet, frames finished in one of our signature layered historical finishes that only gets more beautiful with time.

Nothing rushed. Nothing compromised.

Art Deco is back — and it never looked this good.
The Goddard Arm Chair by Minton-Spidell was made for this moment. A lacquered ebony finish that catches light like patent leather. A shield back upholstered in forest green textile so saturated it stops you mid-room.